Mionix is one of those companies that's slowly earning a reputation for putting out really solid gaming products without the massive advertising presence or name recognition of a company like, say, Astro or SteelSeries or Logitech. I loved the company's NAOS 7000 earlier this year, and while its Nash 20 headset falls a bit short of that mark I'd still say it's a solid piece of hardware.
Honestly, most of my quibbles with the Nash 20 concern its design. This thing is the epitome of the air traffic controller-style gaming headset. It's massive, to the extent it's goofy. The Mionix mouse I reviewed was the same way, but there it's understandable — some people have big hands and want a big mouse. With a headset, it's just unnecessarily heavy and cumbersome. To give you an idea, the earcups on the Nash 20 stretch all the way from an inch or so above my ears down past my jawline, coming to rest on my neck. The situation gets even more ridiculous when you pull the Nash 20 down to hang around your shoulders, at which point you might as well be wearing a medical neck brace.
And it's heavy. At no point while wearing the Nash 20 did I forget I was wearing the Nash 20, which is an annoyance when you just want to immerse yourself in a game like Alien: Isolation but you're subconsciously noticing the weight tugging on your ears.
The headset is also arranged in a tight V-shape, like a snake's mouth or the grip end of one of those robot claw toys. In conjunction with the oversized earcups, this caused an uncomfortable pressure on the sides of my neck.
It's not all bad, though. I understand why Mionix made the earcups so expansive when I listen to the headset. This is without a doubt one of the best out-of-the-box gaming experiences on a headset, especially when it comes to directionality. Playing shooters on the Nash 20 is a treat, with an expansive stereo soundscape that's one of the best on the market. It's not a surround sound-enabled headset, but in many ways it's comparable to Corsair's fully-surround H1500 and H2100.
The Nash 20 is tuned tightly for games though, rendering it pretty useless for music and (to some extent) movies. The same directionality that's so great for gaming is obnoxious when listening to music, with everything sounding distant and reverberant when you want loud and present. The effect isn't helped by the Nash 20's stubborn refusal to get loud — at multiple points I tried to ratchet up the volume during a particularly explosive sequence only to find I was already maxed out. I can't think of a more disappointing feeling.
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