Game Developers Conference, San Francisco — Zero hour, day one: We've found shelter. Here amongst the burned out husks of a hundred people's lives, hiding in this war-torn, graffiti-ridden apartment building, the three of us have found a place to call home.
Our country, at war. Our city, besieged. Our pockets, empty. This is where we make a new start — where we build a new beginning as best we can in a land ravaged.
At GDC this week I got a chance to look at This War of Mine, a game developed by 11bit Studios, a small team in Poland. It's a war game, but not in your standard "Uncle Sam, rah-rah, shoot the bad guys, hear the call of duty" way.
This War of Mine is a game about the civilians — the people trapped between two sets of soldiers, trying merely to survive. This is a game about every nameless victim, every single casualty whose sole sin was living in the wrong place at the wrong time.
This War of Mine is a 2D side-scroller in which you direct your crew of civilians to hunt for resources amidst the rubble and (hopefully) craft enough tools to survive. The game's senior writer, Pawel Miechowski, tells me that the team did extensive research on war-torn areas when constructing game behaviors.
"What we found out is there's a common pattern. My grandmother actually remembers World War II, which was devastating for Poland, and the rules were pretty similar — stay together, stay with your family, support each other. You will need hygiene items, soap, food for trading."
The game is divided into two sections. During the day, you live inside your procedurally-generated shelter: reinforcing your defenses, crafting your items, or digging through the rubble to find more materials. "During the day people don't leave their shelters [in real wars]," says Miechowski, "because they can be either hit by snipers or bandits." Our first day in the procedurally-generated shelter, we find nothing. My team goes hungry, and they complain about how hard it is to dig without a shovel, their hands scraped and bleeding.
"The moment when you can actually scavenge is the night," says Miechowski. Once the sun sets, one of our crew leaves to investigate a distant building. He opens the front door... and there's footsteps in the next room. He peers through the keyhole and sees a man carrying a gun. We've got nothing except our fists, so stealth seems prudent. After an eternity, the man leaves. We walk through the door and rifle through some cabinets. Canned food and some mechanical gears are our reward.
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