The problem is that, just like Half-Life 2, the Gravity Glove is mostly used for the same ol' generic puzzles. There are dozens of objects you can pick up and whip around in Traverser--cans, barrels, chairs, tables, robot birds, et cetera--but you'll mostly use it to...move boxes. Sometimes you will put boxes on switches. Sometimes you will put boxes in water. Sometimes you will stack boxes to reach an area you couldn't reach before.
What's frustrating about Traverser is you're constantly aware it could be better. The Gravity Glove isn't exactly unique, but it's unique from this third-person, isometric perspective. And some of the puzzles are great! The aforementioned house-painting puzzle, for instance, is wonderfully unique. I spent probably ten minutes just flinging paint at the wall trying to make interesting designs. There's also a clever puzzle involving pipes--especially if you're aiming to get the corresponding achievement.
But then it's back to stacking boxes. Busywork. Or suffering through interminable boss battles.
The boss battles are a particularly low point in Traverser. I wanted to like them because at least they give you something to do with the Gravity Glove besides "put objects on other objects." However, I kept getting more and more frustrated due to a combination of some iffy hitboxing and terrible checkpoints. Get killed? Start the boss battle over. Even if the boss battle is four stages long and incredibly repetitive.
And the checkpoints are a problem throughout the game. They don't happen nearly often enough, and everything (including collectibles) resets when you die. Considering the game takes place in a floating city--i.e. one where you're liable to fall off--it's frustrating to get booted back to the beginning of an area just because you didn't progress far enough to trigger the next checkpoint. And doubly frustrating when you have to regather six different collectibles on the way back to where you died.
It really is a shame though. Even now, I feel sort of bad complaining about Traverser because it has so much potential. The story is bog standard rebellion type stuff, filled with more tropes than you can believe. However, the setting is incredibly creative--I would've loved to see the dual-city idea play into the game more, as well as the apparent lack of oxygen. It's referenced a bunch, but it doesn't really affect you in any way.
And the graphics. Oh wow, the graphics. As if it hasn't been proven enough, Traverser rams home again how a distinctive and attractive aesthetic trumps photorealistic graphics every single time. The exaggerated, almost German Expressionist look of Traverser is easily its greatest asset.
It's not enough though. Traverser is also proof that all the pretty graphics in the world can't make up for staid mechanics. I want to love Traverser. Taken piecemeal, I do love Traverser. But it's not enough to have great ideas--you need to execute on them too. And Traverser doesn't quite nail the execution.
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